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Urtext = Plain Text ? – An Analysis of the Sarabande in Eb Major, Part 3 (Bar 25-32)
This is a translation of the post Urtext = Klartext? – eine Analyse der Sarabande in Es-Dur, Teil 3 (Takt 25-32) by Dr. Marshall Tuttle. Michael Bach This is the third part of the analysis of the Sarabande in E Flat Major with performance examples and the interpretations of the cello competition *) For glossary, slur-code and facsimile of the manuscript of Anna Magdalena Bach see Analysis Part I: https://www.bach-bogen.de/blog/thebachupdate/urtext-plain-text-an-analysis-of-the-sarabande-in-eb-major-part-1 Sarabande in Eb Major, Edition Michael Bach Sheet music sample mm 25-28 Slurs that are understood from the polyphony and that JSB therefore did not have to notate are added in parentheses. M 25f Measures 25 and 26 correspond, in this case a fifth lower, melodically and harmonically to mm 9 and 10. Again, there are two possible harmonic progressions that are parallel, in major or in minor (tonic-Sub or DR-Rel). M 27 Measure 27 is similar to M 11,