Urtext = Plain Text ? – An Analysis of the Sarabande in d minor, Part 2 (Bar 11-20)

  This is a translation of the post Urtext = Klartext? – eine Analyse der Sarabande in d-moll, Teil 2 (Takt 10-20) by Dr. Marshall Tuttle. Michael Bach This is the second part of the analysis of the “Sarabande” in D minor   For glossary and facsimile of the manuscript of Anna Magdalena Bach see Analysis Part I: https://www.bach-bogen.de/blog/thebachupdate/urtext-plain-text-an-analysis-of-the-sarabande-in-d-minor-part-1-bar-1-10     “Sarabande” in D minor, Edition Michael Bach Sheet music example mm 11-16 Slurs that are understood from the polyphony and therefore not notated by JSB are added in parentheses.   M 11 Suddenly a single note answers the powerful chords, the missing E3! This note is now the resolution of the suspended fourth F3 of the secondary Dom from the previous measure. Immediately thereafter, the note F3 appears again: Is this a re-suspensded fourth – or already the RM keynote? A large interval leap down to the bass note C2, and

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