{"id":323,"date":"2014-01-10T15:43:14","date_gmt":"2014-01-10T13:43:14","guid":{"rendered":"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/?page_id=323"},"modified":"2026-02-12T16:15:39","modified_gmt":"2026-02-12T14:15:39","slug":"the-bach-update","status":"publish","type":"page","link":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/","title":{"rendered":"contents"},"content":{"rendered":"<p><span style=\"font-size: 14pt;\">&#8211; the bach update &#8211; ist ein Blog mit analytischen Essays, Kommentaren und Materialien zu Johann Sebastian Bachs Musik f\u00fcr Violine und Violoncello. Im Mittelpunkt stehen Fragen der Quellenlage, Interpretation, Auff\u00fchrungspraxis und musikalischen Struktur.<\/span><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><span style=\"font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2013\/08\/Germany.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-37\" src=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2013\/08\/Germany.jpg\" alt=\"Germany\" width=\"38\" height=\"24\" \/><\/a><\/span><\/p>\r\n<h1><span style=\"font-family: arial, helvetica, sans-serif;\"><strong>Inhalt<\/strong><\/span><\/h1>\r\n<ul>\r\n<li><span style=\"font-size: medium; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/nicht-artikulation-aber-harmonik\" target=\"_blank\" rel=\"noopener noreferrer\"><i><span style=\"font-size: 12pt;\">nicht Artikulation, aber Harmonik<\/span><br \/><\/i><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/die-bindebogen-im-prelude-der-suite-in-g-dur\" target=\"_blank\" rel=\"noopener noreferrer\">Die Bindeb\u00f6gen im Pr\u00e9lude der Suite in G-<wbr \/>dur f\u00fcr Cello solo<br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><i>Urtext = Klartext? \u2013 eine Analyse des Pr\u00e9lude in G-Dur<br \/><\/i><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-des-prelude-in-g-dur-teil-1\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 1 (Takt 1-3)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Klartext? \u2013 eine Analyse des Pr\u00e9lude in G-dur, Teil 2 (Takt 4-18)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-des-prelude-in-g-dur-teil-2-takt-4-18\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 2 (Takt 4-18)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Klartext? \u2013 eine Analyse des Pr\u00e9lude in G-dur, Teil 3 (Takt 19-30)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-des-prelude-in-g-dur-teil-3-takt-19-30\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 3 (Takt 19-30)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Klartext? \u2013 eine Analyse des Pr\u00e9lude in G-dur, Teil 4 (Takt 31-42)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-des-prelude-in-g-dur-teil-4-takt-31-42\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 4 (Takt 31-42)<br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Das Original der Abschrift der Suiten f\u00fcr Violoncello von Anna Magdalena Bach\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/das-original-der-abschrift-der-suiten-fur-cello-von-anna-magdalena-bach\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Das Original der Abschrift der Suiten f\u00fcr Violoncello von Anna Magdalena Bach<br \/><\/em><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"BACH.Bogen 25\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/bach-bogen-25\" target=\"_blank\" rel=\"noopener noreferrer\"><i>BACH.Bogen 25<br \/><\/i><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><em>Urtext = Klartext? &#8211; eine Analyse\u00a0der Sarabande in Es-Dur<\/em><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-es-dur-teil-1-takt-1-12\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 1 (Takt 1-12)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-es-dur-teil-2-takt-13-24\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 2 (Takt 13-24)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-es-dur-teil-3-takt-25-32\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 3 (Takt 25-32)<br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><em>Urtext = Klartext? \u2013 eine Analyse der Sarabande in d-moll<\/em><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Klartext? \u2013 eine Analyse der Sarabande in d-moll, Teil 1 (Takt 1-10)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-moll-teil-1-takt-1-10\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 1 (Takt 1-10)<\/a><br \/><a title=\"Urtext = Klartext? \u2013 eine Analyse der Sarabande in d-moll, Teil 2 (Takt 11-20)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-moll-teil-2-takt-11-20\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 2 (Takt 11-20)<\/a><br \/><a title=\"Analyse Sarabande d-moll, Teil 3\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-moll-teil-3-takt-21-28\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 3 (Takt 21-28)<br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Einf\u00fchrung Rundbogen f\u00fcr Streichinstrumente\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/einfuhrung-rundbogen-fur-streichinstrumente\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Einf\u00fchrung in den Rundbogen f\u00fcr Streichinstrumente<\/em><\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">in 8 Videobeitr\u00e4gen<\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><em>Urtext = Klartext? \u2013 eine Analyse der Sarabande in D-Dur<\/em><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Klartext? \u2013 eine Analyse der Sarabande in D-Dur, Teil 1 (Takt 1-8)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-dur-teil-1-takt-1-8\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 1 (Takt 1-8)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Klartext? \u2013 eine Analyse der Sarabande in D-Dur, Teil 2 (Takt 9-16)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-dur-teil-2-takt-9-16\" target=\"_blank\" rel=\"noopener noreferrer\"> Teil 2 (Takt 9-16)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Klartext? \u2013 eine Analyse der Sarabande in D-Dur, Teil 3 (Takt 17-24)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-dur-teil-3-takt-17-24\" target=\"_blank\" rel=\"noopener noreferrer\"> Teil 3 (Takt 17-24)<\/a><br \/><a title=\"Urtext = Klartext? \u2013 eine Analyse der Sarabande in D-Dur, Teil 4 (Takt 25-32)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-dur-teil-4-takt-25-32\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 4 (Takt 25-32)<\/a><a title=\"Analyse Sarabande d-moll, Teil 3\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-moll-teil-3-takt-21-28\" target=\"_blank\" rel=\"noopener noreferrer\"><br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Tossi Spiwakowski<\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Tossi Spiwakowski, Einf\u00fchrung zur Interpretation von J. S. Bachs Solowerken f\u00fcr Violine mit dem Rundbogen\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/tossi-spiwakowski-einfuhrung-zur-interpretation-von-j-s-bachs-solowerken-fur-violine-mit-dem-rundbogen\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Einf\u00fchrung zur Interpretation von J. S. Bachs Solowerken f\u00fcr Violine mit dem Rundbogen<br \/><\/em><\/a><\/span><\/li>\r\n<li><em><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Heute vor 20 Jahren starb Tossi Spivakovski.<\/span><\/em><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Heute vor 20 Jahren starb Tossi Spiwakowski\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/heute-vor-20-jahren-starb-tossi-spiwakowski\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Sein Rundbogenspiel. Seine Bachinterpretation.<\/em><\/a><\/span><\/li>\r\n<\/ul>\r\n<ul>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/die-initialen-von-j-s-bach-in-d-moll\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Die Initialen von J. S. Bach in d-moll<\/em><\/a><br \/><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/die-suiten-fur-violoncello-gedanken-zu-ihrer-ausfuhrung-1997\/\" target=\"_blank\" rel=\"noopener noreferrer\">Die Suiten f\u00fcr Violoncello | Gedanken zu ihrer Ausf\u00fchrung (1997)<\/a><br \/><br \/><\/span><\/li>\r\n<li><span style=\"font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/analyse-des-prelude-in-c-dur\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-size: 12pt;\">Analyse des <em>Pr\u00e9lude in C-Dur<\/em><\/span><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/analyse-der-sarabande-in-c-dur\/\" target=\"_blank\" rel=\"noopener noreferrer\">Analyse der<em> Sarabande in C-Dur<\/em><\/a><br \/><br \/><\/span><\/li>\r\n<li><span style=\"font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/johann-sebastian-bach-der-unbekannte\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-size: 12pt;\"><em>J. S. Bach &#8211; der Unbekannte<\/em><\/span><\/a><\/span><\/li>\r\n<\/ul>\r\n<ul>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/analysen-abkurzungen\/\" target=\"_blank\" rel=\"noopener noreferrer\">Abk\u00fcrzungen in den Analysen<\/a><\/span><\/li>\r\n<\/ul>\r\n<p><span style=\"font-family: arial, helvetica, sans-serif;\"><\/span><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2013\/08\/Britain.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-38\" src=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2013\/08\/Britain.jpg\" alt=\"\" width=\"38\" height=\"24\" \/><\/a><\/p>\r\n<h1>Contents<\/h1>\r\n<ul>\r\n<li><span style=\"font-size: medium;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/not-articulation-but-harmony\" target=\"_blank\" rel=\"noopener noreferrer\"><em><span style=\"font-size: 12pt;\"><span style=\"font-family: arial, helvetica, sans-serif;\">not Articulation, but Harmony<\/span><\/span><br \/><\/em><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><i>Urtext = Plain Text? \u2013 An Analysis of the Pr\u00e9lude in G Major<br \/><\/i><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-clear-text-an-analysis-of-the-prelude-in-g-major-part-1\" target=\"_blank\" rel=\"noopener noreferrer\">Part 1 (Bar 1-3)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-clear-text-an-analysis-of-the-prelude-in-g-major-part-2\" target=\"_blank\" rel=\"noopener noreferrer\">Part 2 (Bar 4-18)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-prelude-in-g-major-part-3-measures-19-30\" target=\"_blank\" rel=\"noopener noreferrer\">Part 3 (Bar 19-30)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-prelude-in-g-major-part-4-measures-31-42\" target=\"_blank\" rel=\"noopener noreferrer\">Part 4 (Bar 31-42)<br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><i>Urtext = Plain Text? \u2013 An Analysis of the\u00a0Sarabande in Eb\u00a0Major<br \/><\/i><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-eb-major-part-1\" target=\"_blank\" rel=\"noopener noreferrer\">Part 1 (Bar 1-12)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Plain Text ? \u2013 An Analysis of the Sarabande in Eb Major, Part 2 (Bar 13-24)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-eb-major-part-2\" target=\"_blank\" rel=\"noopener noreferrer\">Part 2 (Bar 13-24)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-eb-major-part-3\" target=\"_blank\" rel=\"noopener noreferrer\">Part 3 (Bar 25-32)<br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><i>Urtext = Plain Text? \u2013 An Analysis of the\u00a0Sarabande in d minor<br \/><\/i><a title=\"Urtext = Plain Text ? \u2013 An Analysis of the Sarabande in d minor, Part 1 (Bar 1-10)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-d-minor-part-1-bar-1-10\" target=\"_blank\" rel=\"noopener noreferrer\">Part 1 (Bar 1-10)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Plain Text ? \u2013 An Analysis of the Sarabande in d minor, Part 2 (Bar 11-20)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-d-minor-part-2-bar-11-20\" target=\"_blank\" rel=\"noopener noreferrer\">Part 2 (Bar 11-20)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Plain Text ? \u2013 An Analysis of the Sarabande in d minor, Part 3 (Bar 20-28)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-d-minor-part-3-bar-20-28\" target=\"_blank\" rel=\"noopener noreferrer\">Part 3 (Bar 21-28)<br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Introduction to Curved Bow for String Instruments\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/introduction-to-curved-bow-for-string-instruments\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Introduction to Curved Bow for String Instruments<\/em><\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">in 8 videos<\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><i>Urtext = Plain Text? \u2013 An Analysis of the\u00a0Sarabande in D Major<br \/><\/i><a title=\"Urtext = Plain Text ? \u2013 An Analysis of the Sarabande in D Major, Part 1 (Bar 1-8)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-d-major-part-1-bar-1-8\" target=\"_blank\" rel=\"noopener noreferrer\">Part 1 (Bar 1-8)<\/a><i><br \/><\/i><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-d-major-part-2-bar-9-16\/\" target=\"_blank\" rel=\"noopener noreferrer\">Part 2 (Bar 9-16)<\/a><i><br \/><\/i><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-d-major-part-3-bar-17-24\/\" target=\"_blank\" rel=\"noopener noreferrer\">Part 3 (Bar 17-24)<\/a><i><br \/><\/i><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-d-major-part-4-bar-25-32\/\" target=\"_blank\" rel=\"noopener noreferrer\">Part 4 (Bar 25-32)<\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Tossy Spivakovsky<em><br \/><a title=\"Tossy Spivakovsky, Introduction to the Curved Bow for playing Bach\u2019s violin solo works\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/tossy-spivakovsky-introduction-to-the-curved-bow-for-playing-bachs-violin-solo-works\" target=\"_blank\" rel=\"noopener noreferrer\">Introduction to the Curved Bow for playing Bach&#8217;s violin solo works<br \/><\/a><\/em><\/span><\/li>\r\n<li><span style=\"color: #000000; font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><em>Tossy Spivakovsky died 20 years ago today.<\/em><br \/><em><a title=\"Tossy Spivakovsky died 20 years ago today\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/tossy-spivakovsky-died-20-years-ago-today\" target=\"_blank\" rel=\"noopener noreferrer\">His playing with the curved bow. His Bach interpretation<\/a>.<\/em><br \/><\/span><\/li>\r\n<\/ul>\r\n<div>\r\n<div dir=\"ltr\">\r\n<div>\r\n<div>\r\n<div dir=\"ltr\">\r\n<div>\r\n<ul>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/the-initials-of-j-s-bach-in-d-minor\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Initials of J. S. Bach in D minor<\/em><\/a><br \/><br \/><\/span><\/li>\r\n<li><span style=\"font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/analysis-prelude-in-c-major-for-cello-solo\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-size: 12pt;\">Analysis of the<em> Pr\u00e9lude in C Major<\/em><\/span><\/a><\/span><\/li>\r\n<li><span style=\"font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/analysis-sarabande-in-c-major-for-cello-solo\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-size: 12pt;\">Analysis of the <em>Sarabande in C Major<\/em><\/span><\/a><\/span><\/li>\r\n<\/ul>\r\n<ul>\r\n<li><span style=\"font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/johann-sebastian-bach-the-unknown\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-size: 12pt;\"><em>J. S. Bach &#8211; the Unknown<\/em><\/span><\/a><\/span><br \/><br \/><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Abbreviations<\/span><\/li>\r\n<\/ul>\r\n<p align=\"left\">\u00a0<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n","protected":false},"excerpt":{"rendered":"<p>&#8211; the bach update &#8211; ist ein Blog mit analytischen Essays, Kommentaren und Materialien zu Johann Sebastian Bachs Musik f\u00fcr Violine und Violoncello. Im Mittelpunkt stehen Fragen der Quellenlage, Interpretation, Auff\u00fchrungspraxis und musikalischen Struktur. &nbsp; Inhalt nicht Artikulation, aber Harmonik Die Bindeb\u00f6gen im Pr\u00e9lude der Suite in G-dur f\u00fcr Cello solo Urtext = Klartext? \u2013 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-323","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>the bach update \u2013 Analysen und Essays zu Johann Sebastian Bach<\/title>\n<meta name=\"description\" content=\"Analytische Essays und Kommentare zu Johann Sebastian Bachs Musik f\u00fcr Violine und Violoncello. Quellen, Interpretation und Auff\u00fchrungspraxis.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"the bach update \u2013 Analysen und Essays zu Johann Sebastian Bach\" \/>\n<meta property=\"og:description\" content=\"Analytische Essays und Kommentare zu Johann Sebastian Bachs Musik f\u00fcr Violine und Violoncello. Quellen, Interpretation und Auff\u00fchrungspraxis.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/\" \/>\n<meta property=\"og:site_name\" content=\"the bach update\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/bach.bogen\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-12T14:15:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2013\/08\/Germany.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"38\" \/>\n\t<meta property=\"og:image:height\" content=\"24\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/\",\"url\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/\",\"name\":\"the bach update \u2013 Analysen und Essays zu Johann Sebastian Bach\",\"isPartOf\":{\"@id\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2013\/08\/Germany.jpg\",\"datePublished\":\"2014-01-10T13:43:14+00:00\",\"dateModified\":\"2026-02-12T14:15:39+00:00\",\"description\":\"Analytische Essays und Kommentare zu Johann Sebastian Bachs Musik f\u00fcr Violine und Violoncello. Quellen, Interpretation und Auff\u00fchrungspraxis.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#primaryimage\",\"url\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2013\/08\/Germany.jpg\",\"contentUrl\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2013\/08\/Germany.jpg\",\"width\":38,\"height\":24},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"contents\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#website\",\"url\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/\",\"name\":\"the bach update\",\"description\":\"Research, reflections, and new perspectives on Bach\u2019s unaccompanied string music.\",\"publisher\":{\"@id\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#\/schema\/person\/4906b4e1a893eec4d151371e0817bae0\"},\"alternateName\":\"Insights on Bach\u2019s Solo Violin and Cello Works\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#\/schema\/person\/4906b4e1a893eec4d151371e0817bae0\",\"name\":\"Michael Bach\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2025\/12\/Urtext-Klartext-Teil-3-4-.jpg\",\"contentUrl\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2025\/12\/Urtext-Klartext-Teil-3-4-.jpg\",\"width\":567,\"height\":566,\"caption\":\"Michael Bach\"},\"logo\":{\"@id\":\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#\/schema\/person\/image\/\"},\"sameAs\":[\"http:\/\/www.bach-bogen.de\",\"https:\/\/www.facebook.com\/bach.bogen\",\"https:\/\/www.linkedin.com\/in\/michael-bach-320201354\/\",\"https:\/\/www.youtube.com\/@AtelierBACHBogen\",\"https:\/\/en.wikipedia.org\/wiki\/Michael_Bach_(musician)\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"the bach update \u2013 Analysen und Essays zu Johann Sebastian Bach","description":"Analytische Essays und Kommentare zu Johann Sebastian Bachs Musik f\u00fcr Violine und Violoncello. Quellen, Interpretation und Auff\u00fchrungspraxis.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/","og_locale":"en_US","og_type":"article","og_title":"the bach update \u2013 Analysen und Essays zu Johann Sebastian Bach","og_description":"Analytische Essays und Kommentare zu Johann Sebastian Bachs Musik f\u00fcr Violine und Violoncello. Quellen, Interpretation und Auff\u00fchrungspraxis.","og_url":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/","og_site_name":"the bach update","article_publisher":"https:\/\/www.facebook.com\/bach.bogen","article_modified_time":"2026-02-12T14:15:39+00:00","og_image":[{"width":38,"height":24,"url":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2013\/08\/Germany.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/","url":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/","name":"the bach update \u2013 Analysen und Essays zu Johann Sebastian Bach","isPartOf":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#primaryimage"},"image":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#primaryimage"},"thumbnailUrl":"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2013\/08\/Germany.jpg","datePublished":"2014-01-10T13:43:14+00:00","dateModified":"2026-02-12T14:15:39+00:00","description":"Analytische Essays und Kommentare zu Johann Sebastian Bachs Musik f\u00fcr Violine und Violoncello. Quellen, Interpretation und Auff\u00fchrungspraxis.","breadcrumb":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#primaryimage","url":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2013\/08\/Germany.jpg","contentUrl":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2013\/08\/Germany.jpg","width":38,"height":24},{"@type":"BreadcrumbList","@id":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/"},{"@type":"ListItem","position":2,"name":"contents"}]},{"@type":"WebSite","@id":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#website","url":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/","name":"the bach update","description":"Research, reflections, and new perspectives on Bach\u2019s unaccompanied string music.","publisher":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#\/schema\/person\/4906b4e1a893eec4d151371e0817bae0"},"alternateName":"Insights on Bach\u2019s Solo Violin and Cello Works","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":["Person","Organization"],"@id":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#\/schema\/person\/4906b4e1a893eec4d151371e0817bae0","name":"Michael Bach","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#\/schema\/person\/image\/","url":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2025\/12\/Urtext-Klartext-Teil-3-4-.jpg","contentUrl":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-content\/uploads\/sites\/2\/2025\/12\/Urtext-Klartext-Teil-3-4-.jpg","width":567,"height":566,"caption":"Michael Bach"},"logo":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/#\/schema\/person\/image\/"},"sameAs":["http:\/\/www.bach-bogen.de","https:\/\/www.facebook.com\/bach.bogen","https:\/\/www.linkedin.com\/in\/michael-bach-320201354\/","https:\/\/www.youtube.com\/@AtelierBACHBogen","https:\/\/en.wikipedia.org\/wiki\/Michael_Bach_(musician)"]}]}},"_links":{"self":[{"href":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-json\/wp\/v2\/pages\/323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-json\/wp\/v2\/comments?post=323"}],"version-history":[{"count":31,"href":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-json\/wp\/v2\/pages\/323\/revisions"}],"predecessor-version":[{"id":1514,"href":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-json\/wp\/v2\/pages\/323\/revisions\/1514"}],"wp:attachment":[{"href":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/wp-json\/wp\/v2\/media?parent=323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}