{"id":323,"date":"2014-01-10T15:43:14","date_gmt":"2014-01-10T13:43:14","guid":{"rendered":"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/?page_id=323"},"modified":"2026-06-02T10:57:27","modified_gmt":"2026-06-02T08:57:27","slug":"the-bach-update","status":"publish","type":"page","link":"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/","title":{"rendered":"Inhalt \/ Contents"},"content":{"rendered":"<p><span style=\"font-size: 14pt;\">&#8211; the bach update &#8211; ist ein Blog mit analytischen Essays, Kommentaren und Materialien zu Johann Sebastian Bachs Musik f\u00fcr Violine und Violoncello. Im Mittelpunkt stehen Fragen der Quellenlage, Interpretation, Auff\u00fchrungspraxis und musikalischen Struktur.<\/span><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><span style=\"font-size: 14pt;\">&#8211; the bach update &#8211; is a blog dedicated to analytical essays, commentaries, and documentary materials relating to Johann Sebastian Bach\u2019s music for violin and cello. It explores issues of source studies, interpretation, performance practice, and musical structure.<\/span><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><span style=\"font-size: 14pt;\"><strong>\ud83c\udde9\ud83c\uddea Deutsch<\/strong><\/span><\/p>\r\n<h1><span style=\"font-family: arial, helvetica, sans-serif;\"><strong>Inhalt<\/strong><\/span><\/h1>\r\n<ul>\r\n<li><span style=\"font-size: medium; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/nicht-artikulation-aber-harmonik\" target=\"_blank\" rel=\"noopener noreferrer\"><i><span style=\"font-size: 12pt;\">nicht Artikulation, aber Harmonik<\/span><br \/><\/i><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/die-bindebogen-im-prelude-der-suite-in-g-dur\" target=\"_blank\" rel=\"noopener noreferrer\">Die Bindeb\u00f6gen im Pr\u00e9lude der Suite in G-<wbr \/>dur f\u00fcr Cello solo<br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><i>Urtext = Klartext? \u2013 eine Analyse des Pr\u00e9lude in G-Dur<br \/><\/i><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-des-prelude-in-g-dur-teil-1\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 1 (Takt 1-3)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Klartext? \u2013 eine Analyse des Pr\u00e9lude in G-dur, Teil 2 (Takt 4-18)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-des-prelude-in-g-dur-teil-2-takt-4-18\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 2 (Takt 4-18)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Klartext? \u2013 eine Analyse des Pr\u00e9lude in G-dur, Teil 3 (Takt 19-30)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-des-prelude-in-g-dur-teil-3-takt-19-30\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 3 (Takt 19-30)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Klartext? \u2013 eine Analyse des Pr\u00e9lude in G-dur, Teil 4 (Takt 31-42)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-des-prelude-in-g-dur-teil-4-takt-31-42\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 4 (Takt 31-42)<br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Das Original der Abschrift der Suiten f\u00fcr Violoncello von Anna Magdalena Bach\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/das-original-der-abschrift-der-suiten-fur-cello-von-anna-magdalena-bach\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Das Original der Abschrift der Suiten f\u00fcr Violoncello von Anna Magdalena Bach<br \/><\/em><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"BACH.Bogen 25\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/bach-bogen-25\" target=\"_blank\" rel=\"noopener noreferrer\"><i>BACH.Bogen 25<br \/><\/i><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><em>Urtext = Klartext? &#8211; eine Analyse\u00a0der Sarabande in Es-Dur<\/em><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-es-dur-teil-1-takt-1-12\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 1 (Takt 1-12)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-es-dur-teil-2-takt-13-24\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 2 (Takt 13-24)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-es-dur-teil-3-takt-25-32\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 3 (Takt 25-32)<br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><em>Urtext = Klartext? \u2013 eine Analyse der Sarabande in d-moll<\/em><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Klartext? \u2013 eine Analyse der Sarabande in d-moll, Teil 1 (Takt 1-10)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-moll-teil-1-takt-1-10\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 1 (Takt 1-10)<\/a><br \/><a title=\"Urtext = Klartext? \u2013 eine Analyse der Sarabande in d-moll, Teil 2 (Takt 11-20)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-moll-teil-2-takt-11-20\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 2 (Takt 11-20)<\/a><br \/><a title=\"Analyse Sarabande d-moll, Teil 3\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-moll-teil-3-takt-21-28\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 3 (Takt 21-28)<br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Einf\u00fchrung Rundbogen f\u00fcr Streichinstrumente\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/einfuhrung-rundbogen-fur-streichinstrumente\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Einf\u00fchrung in den Rundbogen f\u00fcr Streichinstrumente<\/em><\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">in 8 Videobeitr\u00e4gen<\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><em>Urtext = Klartext? \u2013 eine Analyse der Sarabande in D-Dur<\/em><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Klartext? \u2013 eine Analyse der Sarabande in D-Dur, Teil 1 (Takt 1-8)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-dur-teil-1-takt-1-8\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 1 (Takt 1-8)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Klartext? \u2013 eine Analyse der Sarabande in D-Dur, Teil 2 (Takt 9-16)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-dur-teil-2-takt-9-16\" target=\"_blank\" rel=\"noopener noreferrer\"> Teil 2 (Takt 9-16)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Klartext? \u2013 eine Analyse der Sarabande in D-Dur, Teil 3 (Takt 17-24)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-dur-teil-3-takt-17-24\" target=\"_blank\" rel=\"noopener noreferrer\"> Teil 3 (Takt 17-24)<\/a><br \/><a title=\"Urtext = Klartext? \u2013 eine Analyse der Sarabande in D-Dur, Teil 4 (Takt 25-32)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-dur-teil-4-takt-25-32\" target=\"_blank\" rel=\"noopener noreferrer\">Teil 4 (Takt 25-32)<\/a><a title=\"Analyse Sarabande d-moll, Teil 3\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-klartext-eine-analyse-der-sarabande-in-d-moll-teil-3-takt-21-28\" target=\"_blank\" rel=\"noopener noreferrer\"><br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Tossi Spiwakowski<\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Tossi Spiwakowski, Einf\u00fchrung zur Interpretation von J. S. Bachs Solowerken f\u00fcr Violine mit dem Rundbogen\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/tossi-spiwakowski-einfuhrung-zur-interpretation-von-j-s-bachs-solowerken-fur-violine-mit-dem-rundbogen\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Einf\u00fchrung zur Interpretation von J. S. Bachs Solowerken f\u00fcr Violine mit dem Rundbogen<br \/><\/em><\/a><\/span><\/li>\r\n<li><em><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Heute vor 20 Jahren starb Tossi Spivakovski.<\/span><\/em><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Heute vor 20 Jahren starb Tossi Spiwakowski\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/heute-vor-20-jahren-starb-tossi-spiwakowski\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Sein Rundbogenspiel. Seine Bachinterpretation.<\/em><\/a><\/span><\/li>\r\n<\/ul>\r\n<ul>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/die-initialen-von-j-s-bach-in-d-moll\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Die Initialen von J. S. Bach in d-moll<\/em><\/a><br \/><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/die-suiten-fur-violoncello-gedanken-zu-ihrer-ausfuhrung-1997\/\" target=\"_blank\" rel=\"noopener noreferrer\">Die Suiten f\u00fcr Violoncello | Gedanken zu ihrer Ausf\u00fchrung (1997)<\/a><br \/><br \/><\/span><\/li>\r\n<li><span style=\"font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/analyse-des-prelude-in-c-dur\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-size: 12pt;\">Analyse des <em>Pr\u00e9lude in C-Dur<\/em><\/span><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/analyse-der-sarabande-in-c-dur\/\" target=\"_blank\" rel=\"noopener noreferrer\">Analyse der<em> Sarabande in C-Dur<\/em><\/a><br \/><br \/><\/span><\/li>\r\n<li><span style=\"font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/johann-sebastian-bach-der-unbekannte\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-size: 12pt;\"><em>J. S. Bach &#8211; der Unbekannte<\/em><\/span><\/a><\/span><\/li>\r\n<\/ul>\r\n<ul>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/analysen-abkurzungen\/\" target=\"_blank\" rel=\"noopener noreferrer\">Abk\u00fcrzungen in den Analysen<\/a><\/span><\/li>\r\n<\/ul>\r\n<p><span style=\"font-family: arial, helvetica, sans-serif;\"><\/span><\/p>\r\n<p class=\"wp-block-paragraph\">&nbsp;<\/p>\r\n<p><span style=\"font-size: 14pt;\">\ud83c\uddec\ud83c\udde7 <strong>English<\/strong><\/span><\/p>\r\n<h1>Contents<\/h1>\r\n<ul>\r\n<li><span style=\"font-size: medium;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/not-articulation-but-harmony\" target=\"_blank\" rel=\"noopener noreferrer\"><em><span style=\"font-size: 12pt;\"><span style=\"font-family: arial, helvetica, sans-serif;\">not Articulation, but Harmony<\/span><\/span><br \/><\/em><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><i>Urtext = Plain Text? \u2013 An Analysis of the Pr\u00e9lude in G Major<br \/><\/i><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-clear-text-an-analysis-of-the-prelude-in-g-major-part-1\" target=\"_blank\" rel=\"noopener noreferrer\">Part 1 (Bar 1-3)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-clear-text-an-analysis-of-the-prelude-in-g-major-part-2\" target=\"_blank\" rel=\"noopener noreferrer\">Part 2 (Bar 4-18)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-prelude-in-g-major-part-3-measures-19-30\" target=\"_blank\" rel=\"noopener noreferrer\">Part 3 (Bar 19-30)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-prelude-in-g-major-part-4-measures-31-42\" target=\"_blank\" rel=\"noopener noreferrer\">Part 4 (Bar 31-42)<br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><i>Urtext = Plain Text? \u2013 An Analysis of the\u00a0Sarabande in Eb\u00a0Major<br \/><\/i><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-eb-major-part-1\" target=\"_blank\" rel=\"noopener noreferrer\">Part 1 (Bar 1-12)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Plain Text ? \u2013 An Analysis of the Sarabande in Eb Major, Part 2 (Bar 13-24)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-eb-major-part-2\" target=\"_blank\" rel=\"noopener noreferrer\">Part 2 (Bar 13-24)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-eb-major-part-3\" target=\"_blank\" rel=\"noopener noreferrer\">Part 3 (Bar 25-32)<br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><i>Urtext = Plain Text? \u2013 An Analysis of the\u00a0Sarabande in d minor<br \/><\/i><a title=\"Urtext = Plain Text ? \u2013 An Analysis of the Sarabande in d minor, Part 1 (Bar 1-10)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-d-minor-part-1-bar-1-10\" target=\"_blank\" rel=\"noopener noreferrer\">Part 1 (Bar 1-10)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Plain Text ? \u2013 An Analysis of the Sarabande in d minor, Part 2 (Bar 11-20)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-d-minor-part-2-bar-11-20\" target=\"_blank\" rel=\"noopener noreferrer\">Part 2 (Bar 11-20)<\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Urtext = Plain Text ? \u2013 An Analysis of the Sarabande in d minor, Part 3 (Bar 20-28)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-d-minor-part-3-bar-20-28\" target=\"_blank\" rel=\"noopener noreferrer\">Part 3 (Bar 21-28)<br \/><\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a title=\"Introduction to Curved Bow for String Instruments\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/introduction-to-curved-bow-for-string-instruments\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Introduction to Curved Bow for String Instruments<\/em><\/a><\/span><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">in 8 videos<\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><i>Urtext = Plain Text? \u2013 An Analysis of the\u00a0Sarabande in D Major<br \/><\/i><a title=\"Urtext = Plain Text ? \u2013 An Analysis of the Sarabande in D Major, Part 1 (Bar 1-8)\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-d-major-part-1-bar-1-8\" target=\"_blank\" rel=\"noopener noreferrer\">Part 1 (Bar 1-8)<\/a><i><br \/><\/i><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-d-major-part-2-bar-9-16\/\" target=\"_blank\" rel=\"noopener noreferrer\">Part 2 (Bar 9-16)<\/a><i><br \/><\/i><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-d-major-part-3-bar-17-24\/\" target=\"_blank\" rel=\"noopener noreferrer\">Part 3 (Bar 17-24)<\/a><i><br \/><\/i><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/urtext-plain-text-an-analysis-of-the-sarabande-in-d-major-part-4-bar-25-32\/\" target=\"_blank\" rel=\"noopener noreferrer\">Part 4 (Bar 25-32)<\/a><\/span><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Tossy Spivakovsky<em><br \/><a title=\"Tossy Spivakovsky, Introduction to the Curved Bow for playing Bach\u2019s violin solo works\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/tossy-spivakovsky-introduction-to-the-curved-bow-for-playing-bachs-violin-solo-works\" target=\"_blank\" rel=\"noopener noreferrer\">Introduction to the Curved Bow for playing Bach&#8217;s violin solo works<br \/><\/a><\/em><\/span><\/li>\r\n<li><span style=\"color: #000000; font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><em>Tossy Spivakovsky died 20 years ago today.<\/em><br \/><em><a title=\"Tossy Spivakovsky died 20 years ago today\" href=\"http:\/\/www.bach-bogen.de\/blog\/thebachupdate\/tossy-spivakovsky-died-20-years-ago-today\" target=\"_blank\" rel=\"noopener noreferrer\">His playing with the curved bow. His Bach interpretation<\/a>.<\/em><br \/><\/span><\/li>\r\n<\/ul>\r\n<div>\r\n<div dir=\"ltr\">\r\n<div>\r\n<div>\r\n<div dir=\"ltr\">\r\n<div>\r\n<ul>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/the-initials-of-j-s-bach-in-d-minor\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Initials of J. S. Bach in D minor<\/em><\/a><br \/><br \/><\/span><\/li>\r\n<li><span style=\"font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/analysis-prelude-in-c-major-for-cello-solo\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-size: 12pt;\">Analysis of the<em> Pr\u00e9lude in C Major<\/em><\/span><\/a><\/span><\/li>\r\n<li><span style=\"font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/analysis-sarabande-in-c-major-for-cello-solo\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-size: 12pt;\">Analysis of the <em>Sarabande in C Major<\/em><\/span><\/a><\/span><\/li>\r\n<\/ul>\r\n<ul>\r\n<li><span style=\"font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/www.bach-bogen.de\/blog\/thebachupdate\/johann-sebastian-bach-the-unknown\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"font-size: 12pt;\"><em>J. S. Bach &#8211; the Unknown<\/em><\/span><\/a><\/span><br \/><br \/><\/li>\r\n<li><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Abbreviations<\/span><\/li>\r\n<\/ul>\r\n<p align=\"left\">\u00a0<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n","protected":false},"excerpt":{"rendered":"<p>&#8211; the bach update &#8211; ist ein Blog mit analytischen Essays, Kommentaren und Materialien zu Johann Sebastian Bachs Musik f\u00fcr Violine und Violoncello. Im Mittelpunkt stehen Fragen der Quellenlage, Interpretation, Auff\u00fchrungspraxis und musikalischen Struktur. &nbsp; &#8211; the bach update &#8211; is a blog dedicated to analytical essays, commentaries, and documentary materials relating to Johann Sebastian [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-323","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>the bach update \u2013 Analysen und Essays zu Johann Sebastian Bach<\/title>\n<meta name=\"description\" content=\"Analytische Essays und Kommentare zu Johann Sebastian Bachs Musik f\u00fcr Violine und Violoncello. 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