{"id":606,"date":"2017-07-18T18:41:20","date_gmt":"2017-07-18T16:41:20","guid":{"rendered":"http:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/?p=606"},"modified":"2024-03-28T12:09:57","modified_gmt":"2024-03-28T10:09:57","slug":"18-7-92-und-die-donaueschinger-briefmarke","status":"publish","type":"post","link":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/18-7-92-und-die-donaueschinger-briefmarke\/","title":{"rendered":"18-7-92 und die Donaueschinger Briefmarke"},"content":{"rendered":"

\"Germany\"<\/a><\/h1>\n

<\/h1>\n

Heute vor 25 Jahren<\/h1>\n

 <\/p>\n

\"Michael<\/a>
\nMichael Bach Bachtischa, 18-7-92<\/em><\/span><\/p>\n

 <\/p>\n

Die Zeichnung “18-7-92<\/em>” entstand am 18. Juli 1992 w\u00e4hrend eines Arbeitsgespr\u00e4chs mit John Cage in dessen Loft in New York. Das vollst\u00e4ndige f\u00fcnfst\u00fcndige Gespr\u00e4ch ist im Buch “MUSICAGE<\/em>” 1)<\/sup>\u00a0 im exakten Wortlaut wiedergegeben.<\/span><\/p>\n

Diese Zeichnung, mit der Prim fis im zentralen Bereich, war der Ausl\u00f6ser f\u00fcr die Komposition “ONE13<\/sup><\/em>” 2)<\/sup>. Im Vorwort 3)<\/sup> zu “ONE13<\/sup>” beschreibe ich diesen Vorgang und die ausschlaggebenden Beweggr\u00fcnde f\u00fcr dessen Entstehung.<\/span><\/p>\n

Die Notation von “18-7-92<\/em>” ist in verschiedenen Versionen mit Cello, Ensemble oder Orchester und <\/span>Zuspielungen auff\u00fchrbar.<\/span><\/p>\n

\"\"<\/p>\n

Ihre klangliche Realisierung bildet ebenso den Rahmen des Musiktheaterwerks<\/span>
\n“\u00dcberh\u00f6rte untiefen<\/em>” 4)<\/sup>.<\/span><\/p>\n

Der zentrale Ausschnitt mit der Prim fis ist auf der Sonderbriefmarke “75 Jahre Donaueschinger Musiktage<\/em>” aus dem Jahr 1996 abgebildet. Der Ersttagsstempel f\u00fcr Donaueschingen zeigt <\/span>ausschlie\u00dflich die Prim fis. Eine knappe Einf\u00fchrung ist abrufbar unter:<\/span>
\nDas Werk \u201c18-7-92\u201d und die Sonderbriefmarke \u201c75 Jahre Donaueschinger Musiktage\u201d<\/span>l<\/a><\/span><\/p>\n

Michael Bach<\/span><\/p>\n

 <\/p>\n

\n

1)<\/sup>\u00a0\u00a0 “MUSICAGE<\/em>“, Editor: Joan Retallack, Wesleyan University Press, Hanover 1996<\/p>\n

2)<\/sup>\u00a0\u00a0 John Cage und Michael Bach Bachtischa, “ONE<\/em>13<\/sup>” f\u00fcr Violoncello mit Rundbogen
\nund Zuspielungen (1992), C. F. Peters Corp.<\/p>\n

3)<\/sup>\u00a0 Vorwort zu “ONE<\/em>13<\/sup>” :<\/p>\n

4)<\/sup>\u00a0\u00a0 EIn Trailer von “\u00dcberh\u00f6rte untiefen<\/em>” wurde im ZKM Karlsruhe und im Mus\u00e9e Chagall Nice gezeigt.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Heute vor 25 Jahren   Michael Bach Bachtischa, 18-7-92   Die Zeichnung “18-7-92” entstand am 18. Juli 1992 w\u00e4hrend eines Arbeitsgespr\u00e4chs mit John Cage in dessen Loft in New York. Das vollst\u00e4ndige f\u00fcnfst\u00fcndige Gespr\u00e4ch ist im Buch “MUSICAGE” 1)\u00a0 im exakten Wortlaut wiedergegeben. Diese Zeichnung, mit der Prim fis im zentralen Bereich, war der Ausl\u00f6ser […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-606","post","type-post","status-publish","format-standard","hentry","category-allgemein"],"yoast_head":"\n18-7-92 und die Donaueschinger Briefmarke the cello upgrade<\/title>\n<meta name=\"description\" content=\"Heute vor 25 Jahren   Michael Bach Bachtischa, 18-7-92   Die Zeichnung "18-7-92" entstand am 18. 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