{"id":944,"date":"2020-01-21T17:32:19","date_gmt":"2020-01-21T15:32:19","guid":{"rendered":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/?p=944"},"modified":"2024-03-28T12:09:57","modified_gmt":"2024-03-28T10:09:57","slug":"im-gedenken-an-august-everding","status":"publish","type":"post","link":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/im-gedenken-an-august-everding\/","title":{"rendered":"Im Gedenken an August Everding"},"content":{"rendered":"

(1928 – 1999)<\/span><\/p>\n

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Intendant der bayerischen Staatstheater, Pr\u00e4sident des Deutschen B\u00fchnenvereins, aufgenommen am 11.11.1997 w\u00e4hrend der Preisverleihung des Internationalen Theaterinstituts (ITI) in M\u00fcnchen. Foto: dpa<\/p><\/div>\n

 <\/p>\n

Meine erste und einzige Begegnung mit August Everding datiert vom 18. Oktober 1996. Er hielt die Festrede zum 75-j\u00e4hrigen Jubil\u00e4um der Donaueschinger Musiktage 1<\/sup><\/a>.<\/span><\/p>\n

Bevor er seine eigentliche Rede begann, ging er auf den Tenor und Titel des vorherigen Gru\u00dfworts von Helmut Lachenmann ein, hier zitiert aus der Erinnerung:<\/span><\/p>\n

“Sehr verehrter Herr Lachenmann, Ihre tiefgr\u00fcndigen Ausf\u00fchrungen in Ehren, ich habe sie mit gro\u00dfer Neugierde und Interesse verfolgt, aber bitte, sagen Sie nicht: ‘Die Musik ist tot’. Kunst und Musik werden niemals sterben. In Z\u00fcrich sah ich auf einer Hauswand ein Griffiti: ‘Gott ist tot’ unterzeichnet war es mit …<\/i> (er f\u00fchrte begleitend eine waagrechte Handbewegung aus): ‘Nietzsche’. Doch damit noch nicht zu Ende, denn darunter war in gleicher Weise, die kategorische Aussage konterkarierend gesprayt: ‘Nietzsche ist tot”<\/i>, … horizontale Handbewegung: ‘Gott’<\/i>“.<\/span><\/p>\n

Das war “Everding” pur. Das Publikum lachte (erleichtert). Schlie\u00dflich befand man sich ja inmitten eines Zirkels, wo traditionell besonders kritisch \u00fcber Musik reflektiert wird, – und wo man zugegebenerma\u00dfen vielleicht das eine oder andere Mal ein wenig \u00fcber das “Ziel” mit Enthusiasmus hinausschie\u00dft, mit einer allzu \u00fcberspitzten Wortwahl.<\/span><\/p>\n

Mehr habe ich von Everdings Vortrag nicht mehr in Erinnerung, dieses treffliche Eingangswort schlug mich in seinen Bann und vielleicht war es sowieso die Essenz seines Vortrags.<\/span><\/p>\n

\u00dcberraschend f\u00fcr mich war aber damals, da\u00df Everding sich mit zeitgen\u00f6ssischer Musik auseinandersetzte. Noch nie vorher fiel mir Everding in diesem Kontext auf, obwohl er h\u00f6chst medienpr\u00e4sent war. Seine \u00c4u\u00dferungen und sein Konterfei waren in Kunst- und Theater-, aber auch in Politikkreisen allgegenw\u00e4rtig. Es ging das ironische Bonmot um: “Wenn August Everding auf einem kursierenden Foto nicht abgebildet ist, dann mu\u00df er wohl hinter der Kamera gestanden haben<\/i>“.<\/span><\/p>\n

Diese offene Geisteshaltung und seine lebendige Dialogbereitschaft war dann kurze Zeit sp\u00e4ter f\u00fcr mich der Beweggrund, ihm meine Arbeit mit dem Rundbogen vorzustellen. Ich erwartete dazu von ihm kein Statement, denn er war ja “nicht vom Fach”. Um so erstaunlicher war dann sein Brief vom 29. April 1997:<\/span><\/p>\n

\"\"<\/p>\n

 <\/p>\n

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\n
\n

1<\/a>
\ns. a. Beitrag im blog:
\nDas Werk \u201c18-7-92\u201d und die Sonderbriefmarke \u201c75 Jahre Donaueschinger Musiktage\u201d<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

(1928 – 1999)   Meine erste und einzige Begegnung mit August Everding datiert vom 18. Oktober 1996. Er hielt die Festrede zum 75-j\u00e4hrigen Jubil\u00e4um der Donaueschinger Musiktage 1. Bevor er seine eigentliche Rede begann, ging er auf den Tenor und Titel des vorherigen Gru\u00dfworts von Helmut Lachenmann ein, hier zitiert aus der Erinnerung: “Sehr verehrter […]<\/p>\n","protected":false},"author":278,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-944","post","type-post","status-publish","format-standard","hentry","category-allgemein"],"yoast_head":"\nIm Gedenken an August Everding the cello upgrade<\/title>\n<meta name=\"description\" content=\"(1928 - 1999)   Meine erste und einzige Begegnung mit August Everding datiert vom 18. Oktober 1996. 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