{"id":997,"date":"2021-04-28T10:18:23","date_gmt":"2021-04-28T08:18:23","guid":{"rendered":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/?p=997"},"modified":"2026-06-06T18:25:57","modified_gmt":"2026-06-06T16:25:57","slug":"robert-schumann-traumerei-op-15-n-7","status":"publish","type":"post","link":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/","title":{"rendered":"Robert Schumann, Tr\u00e4umerei op. 15, N\u00b0 7"},"content":{"rendered":"

\"\"<\/a><\/p>\n

\ud83c\udde9\ud83c\uddea Deutsch<\/strong><\/span><\/p>\n

Video<\/a> on YouTube<\/strong><\/span><\/p>\n

Scores for Violin<\/a>, Viola<\/a> and Cello<\/a><\/strong><\/span><\/p>\n

Die “Tr\u00e4umerei” aus Robert Schumanns Klavierzyklus “Kinderszenen” ist ein Stimmungsbild, das mit der harmonischen Wendung zum Doppeldominantseptnonenakkord sein unmittelbares Ende findet. Dieses St\u00fcck wird h\u00e4ufig in einer Bearbeitung f\u00fcr ein Streichinstrument und Klavier aufgef\u00fchrt <\/span>und zwar in der Weise, da\u00df das Streichinstrument die Melodie spielt und das Klavier den verbleibenden Rest zugeteilt bekommt. Dieses Aufteilung der Partitur \u00fcberl\u00e4\u00dft nicht nur einen verk\u00fcmmerten Part dem Klavier zur Ausf\u00fchrung, sondern zerst\u00f6rt die Einheit der sich durchdringenden Einzelstimmen und Akkordt\u00f6ne. Gerade die Verwobenheit von Melodie- und Begleitt\u00f6nen, deren Gleichwertigkeit und deren labiles Zusammenwirken charakterisiert diese Traumwandlung in Kl\u00e4ngen.<\/span><\/p>\n

Denkbar w\u00e4re beispielsweise eine Version f\u00fcr Streichquartett. Die Version f\u00fcr ein Solostreichinstrument stellt allerdings die Aufgabe, den Notentext zu reduzieren, so da\u00df die harmonietragenden Tonh\u00f6hen erhalten bleiben. Der originale Klaviersatz enth\u00e4lt beispielsweise einige Oktavierungen, auf die bei einem Streichinstrument verzichtet werden kann. Auch mu\u00df der Ambitus um eine Oktave reduziert werden, womit andererseits eine klangliche Verdichtung des ausged\u00fcnnten Klaviersatzes gewisserma\u00dfen wieder erreicht wird. Die Bearbeitung f\u00fcr ein Streichinstrument transponiert das St\u00fcck aus spieltechnischen und klanglichen Gr\u00fcnden von F-dur nach G-dur (Cello und Bratsche) respektive D-dur (Violine), da derart die leeren Saiten und deren Obert\u00f6ne erklingen k\u00f6nnen.<\/span><\/p>\n

Der Rundbogen ist ideal f\u00fcr die Realisation dieser Transkription f\u00fcr ein Solostreichinstrument, da er mit seiner flexiblen Haarspannung sowohl die Einzelstimmen individueller hervortreten l\u00e4\u00dft, als auch weichere und klangvollere Arpeggien erm\u00f6glicht. Akkordische Zusammenkl\u00e4nge sind insbesondere am Ende des St\u00fccks von einschneidender Klangwirkung. Dies betrifft den siebenstimmigen Doppeldominantseptnonenakkord mit Fermate, wo im originalen Klaviersatz ebenfalls kein Arpeggio verzeichnet ist, – im Gegensatz zu etlichen Parallelstellen. Dieser Akkord bedeutet nicht nur eine Steigerung sondern stellt auch eine \u00dcberraschung dar gegen\u00fcber seinem Pendant zu Beginn in Takt 6. Dort nimmt der Akkord die Funktion als Zwischendominante zur Tonikaparallele wahr. Ebenso vorteilhaft ist der Rundbogen f\u00fcr die ebenfalls nicht arpeggierte Ausf\u00fchrung der drei Schlu\u00dfakkorde, die die aufl\u00f6sende Antwort auf den fulminanten Spannungsakkord zuvor sind, sie bilden den vers\u00f6hnenden Abschlu\u00df nach der \u00fcberm\u00e4\u00dfigen None.<\/span><\/p>\n

Michael Bach Bachtischa<\/span><\/p>\n

Wissembourg, 2021<\/span><\/p>\n

EInf\u00fchrungstexte zu weiterene Bearbeitungen f\u00fcr Streichinstrumente solo:<\/span>
\nEl cant dels ocells \u2013 Ein katalanisches Weihnachtslied<\/a><\/span><\/p>\n

 <\/p>\n

\ud83c\uddec\ud83c\udde7 English<\/strong><\/span><\/p>\n

Video <\/a>on YouTube<\/strong><\/span><\/p>\n

Scores for Violin<\/a>, Viola<\/a> and Cello<\/a><\/strong><\/span><\/p>\n

The Tr\u00e4umerei<\/em> (“Dreaming”) from Robert Schumann\u2019s piano cycle Kinderszenen<\/em> (“Scenes from Childhood”) is an atmospheric piece that comes to an immediate conclusion near the end with its harmonic turn to the double-dominant seventh-ninth chord. This work is frequently performed in an arrangement for a string instrument and piano, in which the string instrument plays the melody while the piano is assigned the remaining material. Such a division of the score not only leaves the piano with a diminished role but also destroys the unity of the interwoven individual voices and chord tones. It is precisely the intertwining of melodic and accompanying tones, their equal importance, and their delicate interaction that characterize this transformation of dreams into sound.<\/span><\/p>\n

One conceivable alternative would be a version for string quartet. A version for a solo string instrument, however, requires the reduction of the musical text in such a way that the pitches carrying the harmony are preserved. The original piano writing, for example, contains a number of octave doublings that may be omitted on a string instrument. The range must also be reduced by one octave, thereby, in turn, achieving a certain sonic condensation of the thinned-out piano texture. For technical and tonal reasons, the arrangement for solo string instrument transposes the piece from F major to G major (cello and viola) or D major (violin), allowing the open strings and their overtones to resonate.<\/span><\/p>\n

The curved bow (Rundbogen<\/em>) is ideally suited to the realization of this transcription for solo string instrument, since its flexible hair tension both allows the individual voices to emerge more distinctly and enables softer, more sonorous arpeggios. Chordal sonorities are of particularly striking effect, especially at the end of the piece. This applies to the seven-note double-dominant seventh-ninth chord with fermata, which in the original piano score is likewise not marked as an arpeggio\u2014in contrast to several parallel passages. This chord not only represents an intensification but also comes as a surprise when compared with its counterpart at the beginning in measure 6. There, the chord functions as a secondary dominant leading to the relative minor. The curved bow is equally advantageous for the non-arpeggiated execution of the three final chords, which provide the resolving answer to the preceding, dramatic tension chord and form a conciliatory conclusion after the augmented ninth.<\/span><\/p>\n

Michael Bach Bachtischa<\/span><\/p>\n

Wissembourg, 2021<\/span><\/p>\n

Introduction to Further Transcriptions for Solo String Instruments:<\/span>
\nEl cant dels ocells \u2013 Ein katalanisches Weihnachtslied<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

\ud83c\udde9\ud83c\uddea Deutsch Video on YouTube Scores for Violin, Viola and Cello Die “Tr\u00e4umerei” aus Robert Schumanns Klavierzyklus “Kinderszenen” ist ein Stimmungsbild, das mit der harmonischen Wendung zum Doppeldominantseptnonenakkord sein unmittelbares Ende findet. Dieses St\u00fcck wird h\u00e4ufig in einer Bearbeitung f\u00fcr ein Streichinstrument und Klavier aufgef\u00fchrt und zwar in der Weise, da\u00df das Streichinstrument die Melodie […]<\/p>\n","protected":false},"author":278,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-997","post","type-post","status-publish","format-standard","hentry","category-allgemein"],"yoast_head":"\nRobert Schumann, Tr\u00e4umerei op. 15, N\u00b0 7 the cello upgrade<\/title>\n<meta name=\"description\" content=\"\ud83c\udde9\ud83c\uddea Deutsch Video on YouTube Scores for Violin, Viola and Cello Die "Tr\u00e4umerei" aus Robert Schumanns Klavierzyklus "Kinderszenen" ist ein Stimmungsbild, | Explore insights, compositions, and developments in solo violin and cello music at the cello upgrade.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Robert Schumann, Tr\u00e4umerei op. 15, N\u00b0 7 the cello upgrade\" \/>\n<meta property=\"og:description\" content=\"\ud83c\udde9\ud83c\uddea Deutsch Video on YouTube Scores for Violin, Viola and Cello Die "Tr\u00e4umerei" aus Robert Schumanns Klavierzyklus "Kinderszenen" ist ein Stimmungsbild, | Explore insights, compositions, and developments in solo violin and cello music at the cello upgrade.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/\" \/>\n<meta property=\"og:site_name\" content=\"the cello upgrade\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/bach.bogen\" \/>\n<meta property=\"article:published_time\" content=\"2021-04-28T08:18:23+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-06-06T16:25:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2021\/04\/Schumann-Traumerei-Cello-Quadrat-.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1774\" \/>\n\t<meta property=\"og:image:height\" content=\"1774\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"5fc73zg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"5fc73zg\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/robert-schumann-traumerei-op-15-n-7\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/robert-schumann-traumerei-op-15-n-7\\\/\"},\"author\":{\"name\":\"5fc73zg\",\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/#\\\/schema\\\/person\\\/69fe567b4d8c5d5c86b04cb2cde7408d\"},\"headline\":\"Robert Schumann, Tr\u00e4umerei op. 15, N\u00b0 7\",\"datePublished\":\"2021-04-28T08:18:23+00:00\",\"dateModified\":\"2026-06-06T16:25:57+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/robert-schumann-traumerei-op-15-n-7\\\/\"},\"wordCount\":807,\"publisher\":{\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/#\\\/schema\\\/person\\\/4906b4e1a893eec4d151371e0817bae0\"},\"image\":{\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/robert-schumann-traumerei-op-15-n-7\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/wp-content\\\/uploads\\\/sites\\\/3\\\/2021\\\/04\\\/Schumann-Traumerei-Cello-Quadrat--300x300.jpg\",\"articleSection\":[\"Allgemein\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/robert-schumann-traumerei-op-15-n-7\\\/\",\"url\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/robert-schumann-traumerei-op-15-n-7\\\/\",\"name\":\"Robert Schumann, Tr\u00e4umerei op. 15, N\u00b0 7 the cello upgrade\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/robert-schumann-traumerei-op-15-n-7\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/robert-schumann-traumerei-op-15-n-7\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/wp-content\\\/uploads\\\/sites\\\/3\\\/2021\\\/04\\\/Schumann-Traumerei-Cello-Quadrat--300x300.jpg\",\"datePublished\":\"2021-04-28T08:18:23+00:00\",\"dateModified\":\"2026-06-06T16:25:57+00:00\",\"description\":\"\ud83c\udde9\ud83c\uddea Deutsch Video on YouTube Scores for Violin, Viola and Cello Die \\\"Tr\u00e4umerei\\\" aus Robert Schumanns Klavierzyklus \\\"Kinderszenen\\\" ist ein Stimmungsbild, | Explore insights, compositions, and developments in solo violin and cello music at the cello upgrade.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/robert-schumann-traumerei-op-15-n-7\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/robert-schumann-traumerei-op-15-n-7\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/robert-schumann-traumerei-op-15-n-7\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/wp-content\\\/uploads\\\/sites\\\/3\\\/2021\\\/04\\\/Schumann-Traumerei-Cello-Quadrat-.jpg\",\"contentUrl\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/wp-content\\\/uploads\\\/sites\\\/3\\\/2021\\\/04\\\/Schumann-Traumerei-Cello-Quadrat-.jpg\",\"width\":1774,\"height\":1774},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/robert-schumann-traumerei-op-15-n-7\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Robert Schumann, Tr\u00e4umerei op. 15, N\u00b0 7\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/#website\",\"url\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/\",\"name\":\"the cello upgrade\",\"description\":\"new ideas. new developments.\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/#\\\/schema\\\/person\\\/4906b4e1a893eec4d151371e0817bae0\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/#\\\/schema\\\/person\\\/4906b4e1a893eec4d151371e0817bae0\",\"name\":\"Michael Bach\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/wp-content\\\/uploads\\\/sites\\\/3\\\/2025\\\/12\\\/Urtext-Klartext-Teil-3-4-.jpg\",\"url\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/wp-content\\\/uploads\\\/sites\\\/3\\\/2025\\\/12\\\/Urtext-Klartext-Teil-3-4-.jpg\",\"contentUrl\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/wp-content\\\/uploads\\\/sites\\\/3\\\/2025\\\/12\\\/Urtext-Klartext-Teil-3-4-.jpg\",\"width\":567,\"height\":566,\"caption\":\"Michael Bach\"},\"logo\":{\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/wp-content\\\/uploads\\\/sites\\\/3\\\/2025\\\/12\\\/Urtext-Klartext-Teil-3-4-.jpg\"},\"sameAs\":[\"http:\\\/\\\/www.bach-bogen.de\",\"https:\\\/\\\/www.facebook.com\\\/bach.bogen\",\"https:\\\/\\\/www.linkedin.com\\\/in\\\/michael-bach-320201354\\\/\",\"https:\\\/\\\/www.youtube.com\\\/@AtelierBACHBogen\",\"https:\\\/\\\/en.wikipedia.org\\\/wiki\\\/Michael_Bach_(musician)\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/#\\\/schema\\\/person\\\/69fe567b4d8c5d5c86b04cb2cde7408d\",\"name\":\"5fc73zg\",\"url\":\"https:\\\/\\\/www.bach-bogen.de\\\/blog\\\/thecelloupgrade\\\/author\\\/5fc73zg\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Robert Schumann, Tr\u00e4umerei op. 15, N\u00b0 7 the cello upgrade","description":"\ud83c\udde9\ud83c\uddea Deutsch Video on YouTube Scores for Violin, Viola and Cello Die \"Tr\u00e4umerei\" aus Robert Schumanns Klavierzyklus \"Kinderszenen\" ist ein Stimmungsbild, | Explore insights, compositions, and developments in solo violin and cello music at the cello upgrade.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/","og_locale":"en_US","og_type":"article","og_title":"Robert Schumann, Tr\u00e4umerei op. 15, N\u00b0 7 the cello upgrade","og_description":"\ud83c\udde9\ud83c\uddea Deutsch Video on YouTube Scores for Violin, Viola and Cello Die \"Tr\u00e4umerei\" aus Robert Schumanns Klavierzyklus \"Kinderszenen\" ist ein Stimmungsbild, | Explore insights, compositions, and developments in solo violin and cello music at the cello upgrade.","og_url":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/","og_site_name":"the cello upgrade","article_publisher":"https:\/\/www.facebook.com\/bach.bogen","article_published_time":"2021-04-28T08:18:23+00:00","article_modified_time":"2026-06-06T16:25:57+00:00","og_image":[{"width":1774,"height":1774,"url":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2021\/04\/Schumann-Traumerei-Cello-Quadrat-.jpg","type":"image\/jpeg"}],"author":"5fc73zg","twitter_card":"summary_large_image","twitter_misc":{"Written by":"5fc73zg","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/#article","isPartOf":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/"},"author":{"name":"5fc73zg","@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/#\/schema\/person\/69fe567b4d8c5d5c86b04cb2cde7408d"},"headline":"Robert Schumann, Tr\u00e4umerei op. 15, N\u00b0 7","datePublished":"2021-04-28T08:18:23+00:00","dateModified":"2026-06-06T16:25:57+00:00","mainEntityOfPage":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/"},"wordCount":807,"publisher":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/#\/schema\/person\/4906b4e1a893eec4d151371e0817bae0"},"image":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/#primaryimage"},"thumbnailUrl":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2021\/04\/Schumann-Traumerei-Cello-Quadrat--300x300.jpg","articleSection":["Allgemein"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/","url":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/","name":"Robert Schumann, Tr\u00e4umerei op. 15, N\u00b0 7 the cello upgrade","isPartOf":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/#primaryimage"},"image":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/#primaryimage"},"thumbnailUrl":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2021\/04\/Schumann-Traumerei-Cello-Quadrat--300x300.jpg","datePublished":"2021-04-28T08:18:23+00:00","dateModified":"2026-06-06T16:25:57+00:00","description":"\ud83c\udde9\ud83c\uddea Deutsch Video on YouTube Scores for Violin, Viola and Cello Die \"Tr\u00e4umerei\" aus Robert Schumanns Klavierzyklus \"Kinderszenen\" ist ein Stimmungsbild, | Explore insights, compositions, and developments in solo violin and cello music at the cello upgrade.","breadcrumb":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/#primaryimage","url":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2021\/04\/Schumann-Traumerei-Cello-Quadrat-.jpg","contentUrl":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2021\/04\/Schumann-Traumerei-Cello-Quadrat-.jpg","width":1774,"height":1774},{"@type":"BreadcrumbList","@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/"},{"@type":"ListItem","position":2,"name":"Robert Schumann, Tr\u00e4umerei op. 15, N\u00b0 7"}]},{"@type":"WebSite","@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/#website","url":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/","name":"the cello upgrade","description":"new ideas. new developments.","publisher":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/#\/schema\/person\/4906b4e1a893eec4d151371e0817bae0"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":["Person","Organization"],"@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/#\/schema\/person\/4906b4e1a893eec4d151371e0817bae0","name":"Michael Bach","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2025\/12\/Urtext-Klartext-Teil-3-4-.jpg","url":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2025\/12\/Urtext-Klartext-Teil-3-4-.jpg","contentUrl":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2025\/12\/Urtext-Klartext-Teil-3-4-.jpg","width":567,"height":566,"caption":"Michael Bach"},"logo":{"@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2025\/12\/Urtext-Klartext-Teil-3-4-.jpg"},"sameAs":["http:\/\/www.bach-bogen.de","https:\/\/www.facebook.com\/bach.bogen","https:\/\/www.linkedin.com\/in\/michael-bach-320201354\/","https:\/\/www.youtube.com\/@AtelierBACHBogen","https:\/\/en.wikipedia.org\/wiki\/Michael_Bach_(musician)"]},{"@type":"Person","@id":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/#\/schema\/person\/69fe567b4d8c5d5c86b04cb2cde7408d","name":"5fc73zg","url":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/author\/5fc73zg\/"}]}},"_links":{"self":[{"href":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-json\/wp\/v2\/posts\/997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-json\/wp\/v2\/users\/278"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-json\/wp\/v2\/comments?post=997"}],"version-history":[{"count":19,"href":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-json\/wp\/v2\/posts\/997\/revisions"}],"predecessor-version":[{"id":1193,"href":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-json\/wp\/v2\/posts\/997\/revisions\/1193"}],"wp:attachment":[{"href":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-json\/wp\/v2\/media?parent=997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-json\/wp\/v2\/categories?post=997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-json\/wp\/v2\/tags?post=997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}