{"id":997,"date":"2021-04-28T10:18:23","date_gmt":"2021-04-28T08:18:23","guid":{"rendered":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/?p=997"},"modified":"2024-03-28T12:09:57","modified_gmt":"2024-03-28T10:09:57","slug":"robert-schumann-traumerei-op-15-n-7","status":"publish","type":"post","link":"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/robert-schumann-traumerei-op-15-n-7\/","title":{"rendered":"Robert Schumann, Tr\u00e4umerei op. 15, N\u00b0 7"},"content":{"rendered":"<p><a href=\"https:\/\/www.bach-bogen.de\/produkt\/robert-schumann-traumerei-op-15-7-transcription-for-cello-with-curved-bow-2021\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1000\" src=\"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2021\/04\/Schumann-Traumerei-Cello-Quadrat--300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2021\/04\/Schumann-Traumerei-Cello-Quadrat--300x300.jpg 300w, https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2021\/04\/Schumann-Traumerei-Cello-Quadrat--1024x1024.jpg 1024w, https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2021\/04\/Schumann-Traumerei-Cello-Quadrat--150x150.jpg 150w, https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2021\/04\/Schumann-Traumerei-Cello-Quadrat--768x768.jpg 768w, https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2021\/04\/Schumann-Traumerei-Cello-Quadrat--1536x1536.jpg 1536w, https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2021\/04\/Schumann-Traumerei-Cello-Quadrat--624x624.jpg 624w, https:\/\/www.bach-bogen.de\/blog\/thecelloupgrade\/wp-content\/uploads\/sites\/3\/2021\/04\/Schumann-Traumerei-Cello-Quadrat-.jpg 1774w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Video on YouTube<\/p>\n<p>Scores for <a href=\"https:\/\/www.bach-bogen.de\/produkt\/robert-schumann-traumerei-op-15-7-transcription-for-violin-with-curved-bow-2021\/\" target=\"_blank\" rel=\"noopener\">Violin<\/a>, <a href=\"https:\/\/www.bach-bogen.de\/produkt\/robert-schumann-traumerei-op-15-7-transcription-for-viola-with-curved-bow-2021\/\" target=\"_blank\" rel=\"noopener\">Viola<\/a> and <a href=\"https:\/\/www.bach-bogen.de\/produkt\/robert-schumann-traumerei-op-15-7-transcription-for-cello-with-curved-bow-2021\/\" target=\"_blank\" rel=\"noopener\">Cello<\/a><\/p>\n<p><span style=\"font-family: Arial, sans-serif; font-size: 12pt;\">Die &#8220;Tr\u00e4umerei&#8221; aus Robert Schumanns Klavierzyklus &#8220;Kinderszenen&#8221; ist ein Stimmungsbild, das gegen Ende mit der harmonischen Wendung zum Doppeldominantseptnonenakkord sein unmittelbares Ende findet. Dieses St\u00fcck wird h\u00e4ufig in einer Bearbeitung f\u00fcr ein Streichinstrument und Klavier aufgef\u00fchrt <\/span><span style=\"font-size: 12pt;\">und zwar in der Weise, da\u00df das Streichinstrument die Melodie spielt und das Klavier den verbleibenden Rest zugeteilt bekommt. Dieses Aufteilung der Partitur \u00fcberl\u00e4\u00dft nicht nur einen verk\u00fcmmerten Part dem Klavier zur Ausf\u00fchrung, sondern zerst\u00f6rt die Einheit der sich durchdringenden Einzelstimmen und Akkordt\u00f6ne. Gerade die Verwobenheit von Melodie- und Begleitt\u00f6nen, deren Gleichwertigkeit und deren labiles Zusammenwirken charakterisiert diese Traumwandlung in Kl\u00e4ngen.<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">Denkbar w\u00e4re beispielsweise eine Version f\u00fcr Streichquartett. Die Version f\u00fcr ein Solostreichinstrument stellt allerdings die Aufgabe, den Notentext zu reduzieren, so da\u00df die harmonietragenden Tonh\u00f6hen erhalten bleiben. Der originale Klaviersatz enth\u00e4lt beispielsweise einige Oktavierungen, auf die bei einem Streichinstrument verzichtet werden kann. Auch mu\u00df der Ambitus um eine Oktave reduziert werden, womit andererseits eine klangliche Verdichtung des ausged\u00fcnnten Klaviersatzes gewisserma\u00dfen wieder erreicht wird. Die Bearbeitung f\u00fcr ein Streichinstrument transponiert das St\u00fcck aus spieltechnischen und klanglichen Gr\u00fcnden von F-dur nach G-dur (Cello und Bratsche) respektive D-dur (Violine), da derart die leeren Saiten und deren Obert\u00f6ne erklingen k\u00f6nnen.<\/span><\/p>\n<p><span style=\"font-size: 12pt;\">Der Rundbogen ist ideal f\u00fcr die Realisation dieser Transkription f\u00fcr ein Solostreichinstrument, da er mit seiner flexiblen Haarspannung sowohl die Einzelstimmen individueller hervortreten l\u00e4\u00dft, als auch weichere und klangvollere Arpeggien erm\u00f6glicht. Akkordische Zusammenkl\u00e4nge sind insbesondere am Ende des St\u00fccks von einschneidender Klangwirkung. Dies betrifft den siebenstimmigen Doppeldominantseptnonenakkord mit Fermate, wo im originalen Klaviersatz ebenfalls kein Arpeggio verzeichnet ist, &#8211; im Gegensatz zu etlichen Parallelstellen. Dieser Akkord bedeutet nicht nur eine Steigerung sondern stellt auch eine \u00dcberraschung dar gegen\u00fcber seinem Pendant zu Beginn in Takt 6. Dort nimmt der Akkord die Funktion als Zwischendominante zur Tonikaparallele wahr. Ebenso vorteilhaft ist der Rundbogen f\u00fcr die ebenfalls nicht arpeggierte Ausf\u00fchrung der drei Schlu\u00dfakkorde, die die aufl\u00f6sende Antwort auf den fulminanten Spannungsakkord zuvor sind, sie bilden den vers\u00f6hnenden Abschlu\u00df nach der \u00fcberm\u00e4\u00dfigen None.<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: 12pt;\">Michael Bach Bachtischa<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-size: 12pt;\">Wissembourg, 2021<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Video on YouTube Scores for Violin, Viola and Cello Die &#8220;Tr\u00e4umerei&#8221; aus Robert Schumanns Klavierzyklus &#8220;Kinderszenen&#8221; ist ein Stimmungsbild, das gegen Ende mit der harmonischen Wendung zum Doppeldominantseptnonenakkord sein unmittelbares Ende findet. Dieses St\u00fcck wird h\u00e4ufig in einer Bearbeitung f\u00fcr ein Streichinstrument und Klavier aufgef\u00fchrt und zwar in der Weise, da\u00df das Streichinstrument die Melodie [&hellip;]<\/p>\n","protected":false},"author":278,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-997","post","type-post","status-publish","format-standard","hentry","category-allgemein"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Robert Schumann, Tr\u00e4umerei op. 15, N\u00b0 7 the cello upgrade<\/title>\n<meta name=\"description\" content=\"Video on YouTube Scores for Violin, Viola and Cello Die &quot;Tr\u00e4umerei&quot; aus Robert Schumanns Klavierzyklus &quot;Kinderszenen&quot; ist ein Stimmungsbild, das gegen | Explore insights, compositions, and developments in solo 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