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Urtext = Plain Text ? – An Analysis of the Sarabande in Eb Major, Part 2 (Bar 13-24)
This is a translation of the post Urtext = Klartext? – eine Analyse der Sarabande in Es-Dur, Teil 2 (Takt 13-24) by Dr. Marshall Tuttle. Michael Bach This is the second part of the analysis of the Sarabande in E Flat Major with performance examples and the interpretations of the cello competition *) For glossary and facsimile of the manuscript of Anna Magdalena Bach see Analysis Part I: https://www.bach-bogen.de/blog/thebachupdate/urtext-plain-text-an-analysis-of-the-sarabande-in-eb-major-part-1 Sarabande in Eb, Edition Michael Bach Sheet music example mm 13-16 Slurs that are understood from the polyphony and therefore not notated by JSB are added in parentheses. M 13 The beginning of the second half of the movement is linked with the tonally indeterminate open fifth at the beginning of the movement. At the same time, this fifth corresponds in a peculiar way with the preceding trill, because the two pitches represent the basic sounds of the dominnat (Bb2)