Urtext = Plain Text ? – An Analysis of the Sarabande in d minor, Part 3 (Bar 20-28)

  This is a translation of the post Urtext = Klartext? – eine Analyse der Sarabande in d-moll, Teil 3 (Takt 20-28) by Dr. Marshall Tuttle.  Michael Bach This is the third part of the analysis of the “Sarabande” in D minor   For glossary and facsimile of the manuscript of Anna Magdalena Bach see Analysis Part I: https://www.bach-bogen.de/blog/thebachupdate/urtext-plain-text-an-analysis-of-the-sarabande-in-d-minor-part-1-bar-1-10     Sheet music example mm. 21-24   M 21 Now the minor tonic is expected, but with the two notes Bb2-D3 the cadence is interrupted with a DC. (Although only the interval of a third is heard, there is no alternative to the DC, as the mSub is virtually impossible after the Dom.) Again the note E3 surprises, instead of the diatonic pitch ES3 of the DC. The 2-Slur accentuates the resulting tritone Bb2-E3, which should resolve to A2-F3, the RM (see. m. 17). Instead, a half note can be found in

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