Urtext = Plain Text ? – An Analysis of the Sarabande in D Major, Part 2 (Bar 9-16)

This is a translation of the post Urtext = Klartext? – eine Analyse der Sarabande in D-Dur, Teil 2 (Takt 9-16) by Dr. Marshall Tuttle Michael Bach This is the second part of the analysis of the “Sarabande” in D Major Guest:Burkard Weber Video:Interpretation of “Sarabande in D Major” Michael Bach, Violoncello with BACH.Bogen: https://youtu.be/YuqXQgfPKkg Copy of Anna Magdalena Bach, digital copy from the Staatsbibliothek in Berlin – PK Part 2 Measure 9 We have 2 four-voice chords. I leave a note (E) out of the second chord, so I can take the G string. The second beat is also exceptionally emphasized.     Measure 10Now comes: [plays the first beat time of measure 10] That could be the resolution, one could also imagine the relative minor, or one could imagine the mediant, depending on how it develops. In the second beat one expects a D, [plays up to the second

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