Urtext = Plain Text ? – An Analysis of the Sarabande in D Major, Part 3 (Bar 17-24)

This is a translation of the post Urtext = Klartext? – eine Analyse der Sarabande in D-Dur, Teil 3 (Takt 17-24) by Dr. Marshall Tuttle Michael Bach This is the third part of the analysis of the “Sarabande” in D Major Guest:Burkard Weber Video:Interpretation of “Sarabande in D Major” Michael Bach, Violoncello with BACH.Bogen: https://youtu.be/YuqXQgfPKkg Copy of Anna Magdalena Bach, digital copy from the Staatsbibliothek in Berlin – PK Part 3 Measure 17 Here we have a monophonic passage. Now we are at the subdominant, go once briefly to the tonic and the dominant and everything has calmed down. It is also quite typical how Bach makes this: [begins to play in bar 17] … that is, the subdominant, the dominant emerges via the sixth. Measure 18 The C# of the first beat of bar 18 is emphasized. And then the 3rd beat is emphasized, the G, which becomes the seventh

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