Urtext = Plain Text ? – An Analysis of the Sarabande in D Major, Part 4 (Bar 25-32)

This is a translation of the post Urtext = Klartext? – eine Analyse der Sarabande in D-Dur, Teil 4 (Takt 25-32) by Dr. Marshall Tuttle Michael Bach This is the fourth part of the analysis of the “Sarabande” in D Major Guest:Burkard Weber Video:Interpretation of “Sarabande in D Major” Michael Bach, Violoncello with BACH.Bogen: https://youtu.be/YuqXQgfPKkg Copy of Anna Magdalena Bach, digital copy from the Staatsbibliothek in Berlin – PK Part 4 Measure 25In the following 3 bars, four-voice chords are on the first beat. The first is also emphasized, the second also … only by being four-voice. This must also be taken into account, as I shall say, by the fact that the rules of the Slur Code [intersect]…There are times when the slurs suggest that a beat is unstressed, but there is suddenly a four-voice chord. This is, of course, accentuated.In bar 25, Bach wrote a tie in connection with

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